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BEST ITALIAN DANCERS PROFILES
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Italian dance
of the 15th century is the worthy
our study and performing in the SCA
for several reasons. First, these dances
called ballet and bassa dance are some
of the earliest surviving dances we possess. They
come down to us through 12 surviving manuscripts which
identify four major authors as their source.
These authors,
Domenico da Piacenza, Guglielmo Ebreo,
Giovanni Ambrosio, and Antonio Cornazano
give us specific tabulations of these dances, a good
dose of theory about how to dance these dances,
and in the case of most balleti, music to go along with
the dances. All of these treatises
date from later half of the fifteenth century, and,
for comparison purposes are over one hundred years
older than Arbeau's Orchesography,
where we get most of our information on dances
such as branles, pavans and galliards, etc.
Bassa danza is a slow,
stately dance form, elegant in style,
which accentuates partner interaction and can sometimes
be considered processional1. It is usually reconstructed
with either 3 or 6 beats per measure,
which can require an adjustment for the average SCA
dancer used to dancing in four beats
per measure. The bassa danza Lauro
is included at the end of this article as an example
of bassa danza as an independent dance
form. And well over one hundred fifty years older than
John Playford's first edition of The Dancing Master,
our primary source for English Country Dance.
Best
Italian Dancers
Carla Fracci
Emilio De Cavalieri
Enrico Cecchetti
Giovanna Bassi
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